Today we’d like to introduce you to Corbin Pitts.
Corbin, we appreciate you taking the time to share your story with us today. Where does your story begin?
As I walked up to my first film set, I was filled with wonder and excitement. I was only five years old and had been cast as the younger version of the lead character. Everything was larger than life… the lights, camera equipment, craft services, film gear trucks, and more. This film shoot changed my life. By six years old, I had my first camera and was making films with my friends. I was bitten by the acting and filmmaking bug… big time!
I’m very lucky to have had so many incredible opportunities at a young age and to have worked with so many talented people in the industry. Some of my favorite theatre experiences have included playing Winthrop in the Broadway National Tour of The Music Man in Concert with Shirley Jones, and originating roles in world premieres such as Project Elan, During Wind and Rain, and Mrs. Miniver.
Some favorite film and TV roles have been playing recurring character, Mike Ardoin, in HBO’s True Detective Season 3 alongside Mahershala Ali, Stephen Dorff, and Carmen Ejogo; Stockboy Sam in Mystery League, a new kids’ series on AR PBS/PBS Kids; and working with Terrence Howard and Esai Morales in Crescent City. I’ve also had a blast working with Mickey Rourke, Keli Price, and Casper Van Dien in Murder at Hollow Creek, which premiered at the Beverly Hills Film Festival. Another favorite was Ghosts of the Ozarks, starring Tim Blake Nelson, David Arquette, Tara Perry, and Thomas Hobson.
More recently, I wrote and directed my first SAG-AFTRA feature film, Good Time Charley, marking a major milestone in my filmmaking journey. I was cast in two films that wrapped earlier this year: Jesus Land, starring Juliette Lewis and Ella Anderson, and The Neglected, with Josh Duhamel, Elena Sanchez, and Dylan Sprouse.
I’m currently pursuing a BFA in Film and Television at SCAD in Atlanta, where I’m continually pushing myself creatively and refining my craft. I’m deeply grateful for the journey so far and energized by what lies ahead.
Can you talk to us a bit about the challenges and lessons you’ve learned along the way. Looking back would you say it’s been easy or smooth in retrospect?
Since the age of five, I’ve been lucky to work regularly in professional theatre, film, and television. Performing was simply a part of who I was—but when I wasn’t on a project, I lived a regular life, just like any other kid.
I founded my production company, Heroe Productions Entertainment LLC, when I was just eleven. Although some people underestimated me because of my age, I’ve been fortunate to receive strong support within the industry. I’ve made it a priority to surround myself with those who respect my work and take me seriously, no matter my youth. I also rely on a close network of mentors whose guidance and advice have been invaluable throughout my journey.
I’m only 19, but I’ve been in this industry since I was five, with experience on many incredible projects along the way. For me, age isn’t something I focus on — the moment you highlight it, it takes on more significance than it should. When I walk into a room, I concentrate on doing the work I’m passionate about. If you’re skilled at making films—or at anything—your age becomes irrelevant. It’s all about showing up, doing the work, and being professional.
Appreciate you sharing that. What should we know about Heroe Productions Entertainment LLC?
Heroe Productions Entertainment is an indie film company based in Arkansas that I founded in the fall of 2017. We specialize in grassroots, youth-driven storytelling that reflects a uniquely Southern perspective. At 15, I created a featurette called Salad Days, and more recently, I completed my first full-length SAG-AFTRA feature, Good Time Charley—a project I wrote, directed, shot, edited, and produced. We’re currently finishing post-production on that film. These projects helped put us on the map, showcasing the raw energy and authentic voice of our region.
Though I’m now studying film in Atlanta, my heart remains rooted in Arkansas. I love blending my Southern background with the vibrant creative community here.
What truly sets Heroe Productions apart is our deep connection to the community. I approach every screening as a local event—hosting mixers, outdoor drive-ins, and premieres at neighborhood theaters—so our audience feels like part of the creative family. I’m proud that our brand has grown without losing its DIY, grassroots spirit. Every film we make is fueled by the passion of young filmmakers and supported by our community.
At its core, Heroe Productions is about more than just making movies; it’s about building connections and amplifying Southern voices. That’s what makes our work special, and it’s something I’m genuinely excited to share.
Where do you see things going in the next 5-10 years?
I think one of the biggest shifts we’re facing right now is the continued integration of AI into every layer of the industry. Like many others, I’m still figuring out how to navigate it. There’s no putting the genie back in the bottle, and I don’t think the answer is fear or doomsday thinking. I’m more interested in asking how we adapt while holding onto what makes human storytelling matter in the first place.
Another big change is how social media continues to reshape every part of the filmmaking process, from casting to funding to marketing. It’s completely rewired how projects get discovered and how audiences engage with them. That’s both a challenge and an opportunity. I try to stay open to the new tools while also being protective of the craft. At the end of the day, the goal is still the same: tell a story that hits, that connects, that feels alive.
Contact Info:
- Website: https://www.corbinpitts.com/
- Instagram: https://www.instagram.com/corbinpitts/
- Facebook: https://www.facebook.com/corbinpitts23/
- Twitter: https://x.com/PittsCorbin
- Youtube: https://www.youtube.com/channel/UCxvFdqLQDHH1SCPIwreUzOQ
- Other: https://www.instagram.com/heroeprod
Image Credits
Matthew Sewell, Noah Strother, Michael Tullberg, and Christen Pitts
