Today we’d like to introduce you to Phil Harris.
Phil, please kick things off for us by telling us about yourself and your journey so far.
Arts and culture resonated with me early on in my life. During my adolescence I became aware that I had a future in art, but I was all over the place in terms of where my life was taking me. I originally studied animation in my college years but somehow transitioned into a different career altogether. Life is weird that way, and I think it works out like that for a lot of people. After settling down in my late twenties, things came full circle and I began working on art again. It then took a few years to develop my identity as an artist. That was difficult, starting from scratch and trying to figure things out again- but here I am now doing what I love, and it feels good. It’s hard work but I enjoy it and I’m very happy with my experience so far.
Can you give our readers some background on your art?
I guess the first thing I should put out there is I don’t give much merit to symbolism in my work. There’s no clever juxtapositions or subtext. It’s fairly nihilist in that way, but I’m fine with that. I’m much more attracted to the idea of unapologetic abstraction. The content I create isn’t devoid of personality though, and I think it’s important to keep that in mind. It’s like a thick stew filled with bits and pieces of stuff that I like. The tight line work of illustration, combined with loose gestural strokes and a sense of visual depth are what defines my work. For my canvas I use plexiglass mostly but sometimes other stuff too, like wood panel and clay board. The way I use plexiglass often makes it a bitch to work with, but it has a distinct look that I’m completely in love with. I could make things easier on myself by using more traditional materials, but I like where I’m at for now.
What would you recommend to an artist new to the city, or to art, in terms of meeting and connecting with other artists and creatives?
Networking is key. No matter how hard it is, you have to put yourself out there and build relationships. I usually find myself communicating with a large network of peers, clients and event coordinators. It just took years of being active and getting to know other people in the business. Also, the importance of seeking out mentors cannot be overstated. It’s all about being consistent, staying positive and surrounding yourself with people who support your vision.
What’s the best way for someone to check out your work and provide support?
I’ll be featured in an upcoming group exhibit titled SUBLIME. The opening reception is August 3rd at Kai Lin Art Gallery. That will be a great opportunity to see my stuff in person. Instagram is also good because it’s always up to date and has my entire portfolio.
Contact Info:
- Website: www.PHILHARRISATL.com
- Email: inquire.philip@gmail.com
- Instagram: @pharrisatl
Image Credit:
Portrait photograph by Joshua Fletcher
Art images: All rights reserved Phil Harris
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