Today we’d like to introduce you to Meredith Anne White.
Meredith Anne, please kick things off for us by telling us about yourself and your journey so far.
I’ve always been fascinated in how people respond to shifts by means of creation. I received my BA in Art History and minored in Studio Art with a focus in painting and film photography. I took the research I was doing in my Art History courses, specifically my modern and postmodern studies, and translated them into my work. I became incredibly interested in why women have been depicted in certain contexts with certain body types for centuries. How has that evolved? Why do we have such a gendered lens on the human form?
When I graduated, I became an intern at the Museum of Design Atlanta and took on Exhibitions. I assisted the Executive Director in writing the Designers, Makers, Users: 3D Printing the Future exhibition. I stayed there for 2 years, working with volunteers and programs. I gained such invaluable experience there and was able to take that on my own path in the freelance community. So, here I am! I’m creating every day and loving every moment of it. My relationships are deeper, my time is more valuable, and I’m taking better care of myself due to my practice. I’m very happy to be where I am with the strong support system that I have.
Can you give our readers some background on your art?
My practice changes just as I do. I find certain mediums more appealing than others at different times. I’ve always really loved painting, but I’ve been translating that into textiles recently. It’s really exciting. I don’t think any creator wants to be pigeon-holed into one kind of creation. It’s in our being to want to play, and with play comes a whole slew of mediums.
Creating is a form of expression. Creating helps me process my feelings and emotions when words fail me. Creating is a visual language and allows for me to connect with so many others. It makes me feel less alone in a world that weighs so heavy on our shoulders from time to time. I would never expect anyone to receive my work in exactly the same ways; it’s meant to be interpreted. I do, however, speak on matters that are inherently female. In today’s climate, I feel compelled to speak on subjects that deserve attention, support, and acknowledgment.
What responsibility, if any, do you think artists have to use their art to help alleviate problems faced by others? Has your art been affected by issues you’ve concerned about?
People create for very different reasons, and those reasons evolve with time. However, people have always created in response to shifts in culture. I, personally, am highly affected by other people’s energy and outputs. My practice is the way that I am able to process and express those emotions. It’s incredibly important for me to use my voice for positive influence and inclusivity.
What’s the best way for someone to check out your work and provide support?
My work can be seen at a few places. If you’re looking to purchase something, I sell prints and scarves at Coco + Mischa in Ponce City Market. I have a mural there too. I have an installation at Recess in Krog Street Market. It can be seen when you walk right into the main dining hall. I recently did an installation at Treehouse Kid & Craft in Decatur. If you have little ones, they offer great camps and classes.
All of my illustrations are posted through my IG at @meredithannewhite
Contact Info:
- Website: www.meredithannewhite.com
- Email: meredithannewhite9@gmail.com
- Instagram: @meredithannewhite
- Facebook: facebook.com/meredithannewhite/
Image Credit:
Head Shot: Ethan Payne (@ethanpayne)
Action shots of myself: Kevin Brown (@bykevinbrown)
Shots of Recess: Lyric Lewin (@lyriclewin)
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