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Check Out Melvin Toledo’s Story

Today we’d like to introduce you to Melvin Toledo.

Hi Melvin, please kick things off for us with an introduction to yourself and your story.
My artistic journey started when I was a teenager back home in Nicaragua with drawings of manga and cartoon characters. After taking art classes and completing an apprenticeship with a family of artists in Honduras, I spent the next seven years dedicated to painting as my full time job. I painted mostly still lifes using a mixture of lithographic ink and oils and my uncle’s company sold them by going door to door across Honduras.

I met my wife while she was serving in the Peace Corps and after we got married, we moved to the US where I began painting with oils.

Alright, so let’s dig a little deeper into the story – has it been an easy path overall and if not, what were the challenges you’ve had to overcome?
The first few years after I arrived to the US, I didn’t paint much. My wife was attending school so I did some other jobs to help pay the bills. In those days, I painted on the weekends and during any free time I had. The living room of our tiny 600 sq ft apartment was my art “studio.” After my wife finished school, we moved to Atlanta where I had more time to paint and to figure out how to sell my work (not surprisingly, door-to-door art sales are not as popular in the US as in Honduras). I tried auction style sales on Ebay for a while and sold some small paintings there, though some went for less than $20. After that, I got connected with galleries in Cincinnati, Ohio, Franklin, Tennessee, and Atlanta where I began to exhibit and sell my work. It was a little easier after that!

Thanks – so what else should our readers know about your work and what you’re currently focused on?
For a long time, I mostly did still life paintings – I suppose one could say I was known for that. In the past 2-3 years, I’ve shifted focus to landscapes and portraiture. I am really excited about my portrait work, including a new series of portraits of immigrants in the United States. I think it’s a very meaningful work.

We’re always looking for the lessons that can be learned in any situation, including tragic ones like the Covid-19 crisis. Are there any lessons you’ve learned that you can share?
For the last 8 years, my schedule has revolved around my kids – I was painting a few hours a day while they slept or were at school or daycare.

When my oldest son was an infant, I would get up around 4 am to get a few hours of painting in. I had big plans for 2020 as both kids were enrolled in our neighborhood school for a full school day for the first time and I’d finally have a good chunk of time during the day to paint. In February, I started the first painting in my immigrants series. It was a large (for me) painting. A month later Covid-19 hit and the kids were back home, full time, before I had a chance to finish the painting. I tried to keep working on it but having to deal with the kids and the stress of everything that was happening made it very difficult. It was hard, but I had to accept that those paintings would have to wait.

Instead, I started working on very small paintings, ones that didn’t require long sessions at the easel. I also completed many drawings, as that was easy to do while I sat down to help my 4-year-old son with his pre-school work and Zoom calls.

As 2020 progressed, my goal became to keep making art, to keep creating. Some good did come out of that time. The drawings I completed during those Zoom calls have inspired new work I’m doing right now. I’ve tried to view the past year and half as a reminder that when things don’t go as planned, you just have to find another way to keep moving forward, even if sometimes you need to take a step back.

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