Today we’d like to introduce you to Kari Dione.
Hi Kari, we’d love for you to start by introducing yourself.
I got my start trying to mimic my big sister in a local singing contest. I lost—but what I gained that day was far more important than any prize. I discovered the high of the stage. The way it made me feel—like nothing else mattered when I was performing. I’ve been chasing that feeling ever since. That moment sparked my lifelong journey of learning my voice and learning myself through music.
My path was shaped deeply by my mentor, Mr. Bobby Stringer, who saw potential in me that others often missed—especially in opera and theater. He paid for lessons, bought books, and made sure I had what I needed to succeed. One of the most important things he ever told me was, “Practice doesn’t make perfect—perfect practice makes perfect.” That standard still guides me to this day.
In college, (Alabama State University/ B.A in Music Performance) I was further shaped by Dr. Pamela Burns, who taught me the power of storytelling. It’s not just about hitting notes—it’s about delivering a message. She also taught me that even when you don’t know something, it’s okay to fake it ‘til you make it—as long as you eventually MAKE it.
My journey wouldn’t be possible without the incredible support of my family. My mother, Kwajalien, was my first songwriter. My sister, Tammara, was my first music teacher — the one I used to mimic and learn from just by watching her passion for music. My sister LaShun has always made sure I stepped out with confidence and style, serving as my wardrobe consultant and hype woman. Whether it’s been physical presence, financial support, or emotional strength, they have shown up for me every step of the way. I’m also blessed to witness the next generation of talent rising in our family — my nieces and nephew are already singing, playing instruments, and inspiring me to keep pushing forward, not just for myself, but for them. They are my motivation and my legacy.
Today, I’m an independent artist, theatrical performer, vocal producer, content creator, entrepreneur, and founder of The Friday Nite Escape—with countless performance credits, one national tour, and a mound of support I’m forever grateful for.
I’m sure it wasn’t obstacle-free, but would you say the journey has been fairly smooth so far?
Not even close. The road’s been full of detours, potholes, and lessons I had to learn the hard way.
One of the earliest struggles was simply accepting my voice. I used to wish I could sound like someone else—less squeaky, more alto, more rasp. But eventually, I learned to love the one-of-a-kind tone I’ve been given. My voice is my fingerprint—instantly recognizable, undeniably me.
There were also practical barriers. People expect you to have an EPK, professional footage, and a polished brand—but no one talks about how expensive that all is when you’re just getting started. I remember thinking, “How do I get the gigs that need footage if I don’t have the footage to get the gigs?”
And then there’s the part no one prepares you for: being so helpful, so giving, that people misuse you. I used to think I had to fix everything and be everywhere for everyone. But I’ve learned that being a giver doesn’t mean giving away your peace or your purpose. I’ve had to use discernment. Everyone doesn’t deserve your presence. Every room isn’t your assignment—even if you can help.
Being a Black woman in creative spaces has also required me to develop thick skin. I was often the only Black girl in the room—and at a size 10, I was also the biggest. That’s wild to even say out loud, but it’s true. I had to learn how to take up space unapologetically, to be both soft and strong, and to move with confidence even when I felt unseen.
Great, so let’s talk business. Can you tell our readers more about what you do and what you think sets you apart from others?
The Friday Nite Escape is a weekly live music show featuring myself and The Good Vibez Only Band. We perform at Anthony’s Pizza, 6518 GA-85, Riverdale, GA 30274, every Friday night from 9PM to 12AM.
Twice an month, we open our stage to independent artists looking for opportunities to share their music and perfect their craft. I realized there was a major need in our artist community for a space where performers could host low-cost showcases—and that’s what we provide. We share our space, allowing artists to book feature slots and receive 100% of their ticket money to reinvest into their careers.
It’s more than just a show—it’s a creative incubator, a launchpad, and a home. We’ve become a community staple where artists grow, fans discover new voices, and joy is exchanged week after week. People often say it feels like the “Black Cheers”—a place where everybody knows your name and your favorite song.
We also provide discounted one-hour curated shows for nursing homes during their happy hour. It’s the most rewarding day of my month—bringing joy and connection to elders who often don’t get to experience live entertainment anymore.
For booking inquiries, artist features, or more info, you can contact us at niteescape@gmail.com or follow us on Instagram & FB: @TheFridayNiteEscape. We’d love to see you in the building!
Can you tell us more about what you were like growing up?
I wasn’t popular growing up—just the girl who could sing. I was a tomboy who played football with my cousins and got in trouble for doing it in my church dresses after service. When I was 15, my friends and I stared at gospel group called Posterity of Christ. We sung all over Birmingham. That’s also when I started working with Rayshun Walker—now a noted gospel arranger, composer, and founder of gospel recording group, Rayshun Walker and The Ensemble. I’m honored to still be a member of that group today.
Church was a HUGE part of my life. My mom was a Sunday school teacher so we were there bright and early! I was the only child on the adult praise team for some time! That was different but I loved those ladies and they loved me! I didn’t listen to much rap or secular for that much. Very sheltered in that respect. I remember the first time I heard the album version of Bag that thang up. Woah! Thats not what the radio said🤭. I didn’t become fully exposed to main stream music until college and what a time that was!! Prior to that time, my biggest influences were Yolanda Adam’s, Mary Mary, Richard Smallwood, and Kirk Carr (oh Kirk Carr- you couldn’t tell me and my friends we weren’t in this man’s group🤭)
I had big feelings, a big voice, and big dreams.
Music wasn’t just a hobby—it was a lifeline. And it still is.
Contact Info:
- Website: https://www.itskaridione.com
- Instagram: https://www.instagram.com/thefridayniteescape/profilecard/?igsh=bnRndGhwMmYwNXBw
- Facebook: https://www.facebook.com/share/16ANgujjrT/?mibextid=wwXIfr
- Youtube: https://youtube.com/@karidione?si=H08BCe7DlLBK0CyS
- Other: https://www.instagram.com/itskaridione?igsh=MWhyaDEwMnpxNGlobw%3D%3D&utm_source=qr
Image Credits
Latia Milton; Haus of Milton Photography
John Chambers; Chambers Vision & Sound
Ant Smart; The Productive Stoner Society
