Today we’d like to introduce you to Adam McCullar.
Hi Adam, so excited to have you with us today. What can you tell us about your story?
Peace world! How you doing? My name is Adam McCullar and I’m the founder of Infinite Axis Comix. My story for Infinite Axis Comix officially started in 2015, when I self-published my first comic entitled Ten:01 Issue 0. It was a project I did with another comic book company from Atlanta called Urban God Ink. Shout out to NorViance Henry for he’s the one that drew it, colored it and did the lettering and shout out to Corley Manning who I made the initial deal with. He’s the one that really helped put all that together for it to manifest into what it has to today. I feel like all of that was a blessing that came in perfect timing especially in that moment which all started I believe in 2013, could have been 2012. But either way, we made a deal, and things went into effect as the comic started to be put together piece by piece. You could say that this is really the beginning of Infinite Axis Comix, this is before it had a name. The idea for everything else came after the deal with Corley and NorViance was made. After that deal was made I started to piece everything together one thing at a time, starting with what my first comic book would be about. At the time I wasn’t even really planning to make a deal, I was really just researching to get an idea of what I was looking at paying to put a comic together for a future project. I saw a project that they had put together called “The Force” maybe somewhere on Facebook and I reached out to Corley to see if that was something his company did, and if so, how much would it cost for them to do it. Corley gave me more than a great price to do it which fit perfectly into what I could manage to pay out at the time, so I made the deal with him right then and there. I was then introduced to NorViance shortly after. When I made the deal with the two of them, I wasn’t sure what my comic was going to be about. I had a 200+ page story that I wanted to turn into a Graphic Novel, but I felt this wasn’t quite the time for it and I needed to come up with a new idea fast. I told the two of them that I would send them the story the following day I believe because I didn’t want anything to change up if I took too long to produce a story so I went to the drawing board immediately on how I could create a story that would be a great setup for a whole universe of things that would come after this comic. After thinking for a while I came up with the thought that this idea didn’t have to be a new idea, but it could be pulled from an old idea for a story that I came up with in the past but just never did anything with. I have a few of those but this idea was over a decade old. It was inspired by a movie I saw in the theater when I was young that I wasn’t too impressed with. Sometimes when watching a movie I don’t like it motivates story ideas to come about for some reason. From the disappointment of that particular film, I created my own idea, that I titled 10:01 which I eventually transcribed on the comic cover as Ten:01. With 10:01 I had a general idea that I came up with over a decade ago but didn’t have a lot of the intricate details, such as main characters, an initial setting, an initial plot or anything. Just a universal law and event that I had already created in thought for the details of the back story of whatever 10:01 would be one day, and once the deal was made with me and Urban God Ink, that day became the day which was over a decade later. That day an idea was created, and reborn from an old idea and my first comic book was written and sent out to Corley and NorViance. Once I sent out the story to them it took about 2 years or so for it to be completed. And one thing I didn’t notice right away but I realized over time was that NorViance did the whole illustration process himself, so shout out to him again. He drew it, he colored it and did the lettering all while still managing everything he had going on in his own life and with his own company. But I was patient with the process, and I let him take the time he needed because I knew once it was done it’s time to really build on this no matter how long the process takes to get it right. I used a lot of that time, while the comic was getting drawn to build what is now Infinite Axis Comix. During this time, I was balancing my new life and still building the idea that became Infinite Axis Comix while working to keep the bills paid and just growing in my 20’s.
After the comic was created, I now needed to name my comic book company. Once I made the deal and sent the story off, I hit up my childhood friend Isaac who I had been doing business with and making music with mostly all through high school though we’ve been friends since the 7th grade. We had a record company that we called Eminent Domain Records, but we were always talking about developing other forms of media and I figured with what just happened with the deal I made, the time was now. I told him about the deal and then I mentioned to him I needed to come up with a name for the company and he said he’d help come up with something, so we both went to the drawing boards to come up with a name. Unlike Ten:01 which I put together in a day I thought about this for a few weeks not really liking any of the names I was coming up with and Isaac hadn’t really produced any solid names either. But just like Ten:01 after a while I thought the same thing I did when creating my first comic and that was this name doesn’t have to be something new, this name can come from an old idea you came up with before and you can use that name. The name Infinite Axis was from something me and Isaac came up with in high school. In high school me and Isaac sold candy alongside some other people we knew who also did music. Me and Izek started the idea of selling candy to fund our music, and we ended up bringing other people who also did music into the fold. This is probably around 2004 when we started it, and we were making pretty good money doing it. After a year or so into selling candy Izek and I had a class together and in class, we talked about several other ideas we could come up with to make money alongside the candy. At this point we already recorded our first album, which we called “The Construction” I believe it was, and on the weekends, we’d take the train down to Lil 5 Points and try to sell CDs to whoever would buy them. We first started off with 100 copies and between school and going down to Lil 5 Points, along with family and friends we eventually sold all 100 copies. I think at $10 a cd might have been $5. And this is still in that 2004 – 2006 era. But anyways we wanted to add a new idea on how to bring in some money, so we drew up a bunch of ideas. One of the ideas we came up with at the time was to find a wholesaler for DVD movies and sell real authentic movies for cheap. We did a lot of research, but we couldn’t find a retailer that wholesaled the type of movies we were looking for which were Blockbuster movies, cause we were learning something at the time, which is you can’t just get Blockbuster movies in wholesale that easily though we did find that there were options to buy movies we never heard of in bulk once you have a LLC, EIN and etc. As we were developing this idea and doing research on buying DVDs in bulk we had to come up with a brand name for the business that sold these DVDs to people, I can’t remember how long it took to come up with the name of the DVD store but I don’t think it took long, and the name we came up with was Infinite Axis, with Axis being a play on the word access for at the time we were thinking along the lines of us having access to an infinite amount of products we’d be selling. We were rapping back then so we liked to play with words and the word Axis fit and looked better to us than the word Access. So, the name we chose was Infinite Axis, a store that was going to sell DVDs, starting with hand-to-hand sells. Once I recalled all of that and came up with the realization that I can use a name we already created a name that just disappeared over the years since high school, I called Isaac and told him my idea. Told him that we’d use the name Infinite Axis and just make it a comic book company now, and that we would spell it Infinite Axis Comix, changing the way we spelled Comics cause we’re still rappers that liked to play with words, and it looked better. Izek thought it was a good idea and figured at this point we wouldn’t come up with anything better so we adapted the name from an old business idea from back in high school to a new business idea, a comic book company. And that’s how I came up with Infinite Axis Comix.
Now though some of this sounds like an overnight idea, it was actually something I was slowly putting together since probably the year 2009/2010. In 2009 to 2010 I was working at a movie theater that was at South DeKalb Mall on Candler Road. Can’t even remember the name of the theater right now but it was a cool theater. They had a full bar area in its own separate room that was set up like a lounge in the very front when you first walk in from outside and you could take those drinks to the theater with you and sip while you watch your movie. They also had an extended Concession stand menu but nothing too fancy but still things you couldn’t order at most concession stands at most theaters unless you were at an eat-in theater and this theater was something like that but not quite. At this point I probably worked at 3 other theaters, and this particular theater was the last one I’d work at since I started working at the movies when I came out of high school. Anyways, during this time I remember going to the movies with my girl, who is now my wife, Antrice McCullar. She is also a business partner of mine in the company and will also be producing her own written materials and other forms of media under Infinite Axis Comix. She is a phenomenal writer, can’t wait for y’all to check out her first novel that she’s working on along with some other things. But we went to the movies and the movie we saw I didn’t quite care for the first time I saw it. I didn’t actually appreciate the movie until I watched it a second time and realized I was tripping; the movie was actually pretty great. But the first time I saw this movie and because I wasn’t too impressed, the same thing that happened back in the year 2000 when I saw that movie I didn’t care for that helped me produce the initial idea for 10:01 also inspired me to write my own superhero story after seeing this film. It didn’t take long to develop the idea and once I thought about the direction, I started writing the story I knew I would make into a graphic novel one day. I wrote that story at home and every day at work. At this time, I was working as a projectionist at the theater at South DeKalb Mall. I worked every other position and because management liked me and my work ethic, and they knew my experience, they honored my request when I asked to work as a projectionist so that I could learn that also. That was a really cool position to be in. At times so I could get more hours I’d go back down to the floor and work concessions or as an usher but my main job eventually became working the projectors and these were the projectors where you had to thread the film, not the digital ones where you just press a few buttons, so being a fan of cinema I thought that was cool to learn. So, my first superhero that I created was not the characters from Ten:01 but the character Dominic Styles aka The Guardian in a book title that I’m keeping to myself for now and like I said this was all around 2009 – 2010. This is the 200+ graphic novel I mentioned earlier.
Now fast forward to 2015. I think it might have been in February, I had just printed off my first comic Ten:01 Issue: 0. I think right away once the comic was done me and Izek did a still motion cartoon using the comic panels. I cropped out all the panels to create individual panels which took some time. We then uploaded the individual panels to the film editing software, and we went to work. We added panning motions to give it some life. And shout out to Izek for he did most of the work when it came to that. He had the program to edit videos on his computer so when we weren’t editing it together in person, we were doing it over skype. After we placed everything we added background music and other music to bring it to life. Then me, Izek and my wife did the voiceovers. My wife did Celeste, I was all the aliens, and Izek was Malik and the white guy in it. I’m considering releasing Ten:01 Episode Zero on YouTube eventually. I think that will be cool to give to the public. So now we had the comics, and we had the movie version of the comic on DVD. I knew now I had to get the product out there, so I started going to comic conventions. I did mostly the smaller conventions in the area like Onyx Con which was created by JW. Wheeler. And another convention called the Atlanta Sci-Fi and Fantasy Expo which is hosted and put together by a man named Tony Cade that owns Challenges Games and Comics which at the time was at North DeKalb Mall. Now it’s at NorthLake Mall I believe. I also went to a few other conventions that to me were notable but just not as big as Dragon Con, MomoCon etc. At these conventions I learned a lot and I met a lot of good people with good comics, novels and other products. And all these people were black creators. Which was dope to me cause I’m just now learning about this world of creators. I started supporting and buying products left and right. In 2015 after attending several conventions I thought it would be a great idea to throw our own comic book convention. A convention that would focus on black work created by black people but was opened to whoever wanted to vend or attend. I ran the idea by Izek because he was my business partner at the time with IAC. I told him I wanted to throw my own convention and he was down with it. I then told him I wanted to work on the idea with Corley and NorViance from Urban God Ink. He was cool with that also. I reached out to Corley and NorViance and we all decided that it was something we were all interested in doing. We came up with a name combining my company’s name with their company’s name and we came up with “Urban Axis Indy Con”. We came up with a mascot for the convention who was this bald-headed superhero drawn by either Corley or NorViance but I think it was NorViance. We created flyers around the mascot, came up with a date and location and we blasted it out there. I would also promote our convention at the other conventions I would go to. Somewhere along the way I linked up with Tony Cade from Challenges Games and Comics and he agreed to help. I also reached out to this black owned video game store in Downtown Lithonia called “Gamers Xperience”. It was a place where you paid a small fee, and you could play damn near any game on all the new systems out at the time. They ended up providing the video games for the first Urban Axis Indy Con. I also reached out to a comic book store/restaurant called My Parent’s Basement in Avondale, Georgia and they agreed to provide food they could sell at the convention. They’ve grown a lot since then but at the time I think they were a brand-new restaurant just opening. They agreed and came through with the food. So, shout out to all of them. Challenges Game and Comics at North Lake Mall, Gamers Xperience in downtown Lithonia and My Parent’s Basement in Avondale, Georgia. So I got all of that put together with these companies and they showed up and did they part, and I appreciate that. As far as the location where we threw it, it was at an event center right on Redan Road near South Hairston in Stone Mountain. At the time my mom was working at this event center, helping the guy who was running it. She was bringing in business and also coordinating the events they booked. We kind of finessed that situation a little and were able to use the venue without paying anything at all for two straight days. We had it Saturday and Sunday and didn’t pay anything to host the event there, which was also a blessing. We had about 10 or so vendors at the first convention and the turnout of people that showed up wasn’t great, but I think it was a good first start. At the end of the weekend, me, Izek and the guys at Urban God Ink decided we’d do it again next year for the year 2016. And we indeed did it again the following year. This time we didn’t have access to the venue anymore so we needed a new location. It’s 2016 so it’s about 6 years after I got fired from my job at the theater at South DeKalb Mall, by this time that theater had closed and was eventually bought by a smaller company. This theater had an ample amount of room where I knew we could set up tables and host the convention, I just needed to talk to the new owners and see if that was possible. I went up there one day and talked to the manager or owner and told him what I wanted to do and how much we were willing to pay to reserve the spot near the arcade for two days. He agreed to the price and we made a deal. We repeated a lot of the steps from the first time but this time I went to more events and conventions to promote. This year we also didn’t have My Parent’s Basement, but the theater still sold food. This year we didn’t have Gamers Xperience so I borrowed a few systems from people I know. Shout out to Deante Bowden and Thr333 for letting me hold they PlayStation at the time for those two days. I think we had another system or two also for people to play. This time we had closer to 20 vendors and a slightly better turnout then the first year. Also the theater was connected directly to South DeKalb Mall so we drew in people who were at the mall just shopping and people who were just going to the movies and curious about what we had going on. The event went well but it was the last time we did Urban Axis Indy Con. Never know, maybe one day we could get it off the ground again. I think our first two years we did well with what we had to work with. Also, one last shout out to Shay Mack, she’s an actress in Atlanta. She had a pretty nice role in the tv show Doom Patrol, which was a DC comic book tv show. But I’m shouting her out cause at the time she had some motion and at conventions we’d do panels which are like lectures. We talked over the internet, and she agreed to come out and do a panel on acting for Free, which I ended up sending her money for later down the line. But at first it was for free. She showed up to do her part, but we didn’t have the audience needed to hold the panel the way I envisioned it. So that was my first two years within Infinite Axis Comix. It was me attending a lot of local conventions and other events along with throwing my own convention that was still under the Infinite Axis Umbrella.
Now in 2016 things started to change a little and this year I was able to start really developing other ideas I had been coming up with since 2012/2013. Since then, I had developed several ideas for other characters and stories. Linking new characters to old stories and developing what these new characters would look like and how their stories would go and what their powers would be. In 2016 I would also start my second comic book, Ten:01 Issue:1 which is also in print. I inked that deal with another Creator named Travis Ware who had his own company called Multitude Comics. He had an illustrator named Gaspare Orrico, a colorist named Bryan Magnaye, and Travis did the lettering. We came up with a price and we spent the next few months drawing out the story. This time I already had the story ready to go, writing it not too long after I wrote Issue: Zero back in 2012/2013. I wanted it to be a superhero story, but I didn’t want it to feel like one right off the back. I wanted it to be an adventure story starting off. I wanted it to have a slow buildup of feeling like a superhero story. And I wanted it to feel different than Issue: Zero but still being a direct continuation of the story where it left off at the end of Issue: Zero. As I was putting this together I was also working with a bunch of other different artists/illustrators bringing the ideas in my head with these other characters I developed and seeing them come to life. I had a bunch of artwork drawn in the year 2016 and 2017. I also had action figures made for each of my character by a toy creator by the name of Rex Barja. Shout out to him for getting the toys done for me. This is also around the time I started writing my zombie novel called “D.I.M. (Dead in Motion)”. This story would be through another medium of storytelling, a novel instead of a comic book. I kept it related to the comic book company by providing little artwork in the book that made it a graphic novel. I also wanted to be the first to keep it in a movie script like format, and I called it a Graphic Novel Script. The book focuses on a small group of teenagers the day of the outbreak and highlights the first week of the zombie outbreak and all they have to go through to survive. That book is actually on Amazon right now to buy as an Ebook. So 2016/2017 I’m working on D.I.M, writing the story and getting artwork made. I have my second Issue of Ten:01 in the works and I’m getting a bunch of artwork drawn for my characters along with the toys. Now none of this is cheap. I’m paying for all of this, but by the grace of God in February of 2016 I worked on my first movie which was the movie Baby Driver with Jamie Fox. I worked in the paint department on that movie and was part of bringing those sets and scenes to life. I then worked on a bunch of movies and tv shows since then which I still do to this day. Just worked on a Boots Riley movie called I Love Boosters with KeKe Palmer, LeKeith Stanfield, and Demi Moore. And shout out to Boots Riley. Boots actually showed me love on that set. Introduced me to his kid, and always spoke when he saw me. Coolest director out there. He talked with me as he was directing the movie. Took a few of my comics, and told me he wanted to see me put together a film which is what I’m doing now. Putting together my second film while the first one is still being worked out in post production. Looking to put that in development no later than September of this year.
So Infinite Axis Comix has motion. It’s slow motion right now but it’s in motion and has been. We’ve accomplished a lot but there’s still so much more to do. Right now we have two comics for sell. Ten:01 Issue: Zero and Issue: 1. We have the zombie novel “D.I.M. (Dead in Motion) A Graphic Novel Script” for sale on Amazon. I have the “You Got It” movie in post production with my brother Gadriean “Ghetto Global” Williams aka Manny Tarantino. Who I linked up with in 2017/2018 when we first started talking about doing film work together. I think we met in 2010 or so right before he went to prison at my homeboy Thr333 video shoot that he was doing at the Metropolitan Lofts. We met then but I don’t remember too much interaction between us. When he got out of prison we were all at a Bar B Que at Thr333 house, and this was probably 2016, but from then on me and Ghetto Global slowly became good friends. Shout out to Manny “Ghetto Global” Williams for helping put this interview together and shout out to him for filming his second movie but the first one that came strictly from his mind, a movie called “The Base”. He put in a lot of work and went through a lot to get it done but he got it done, so shout out to him. But anyway to start to wrap this up like I was saying we got the comics Ten:01 Issue Zero and 1. I got the DVD version of Issue Zero and plans on doing a movie version for Issue: 1 also. The zombie novel is out, and the movies are on the way. My first film which was written by me and will be directed and produced by me is called “28 Grams”. It has nothing to do with the comic book universe directly but it will help produce live action projects that have to do with the comic book world. One thing I have written and ready to go is a scripted live action series for my character The Reaper. The project is called “The Reaper’s Journal” and it will be the medium used to introduce The Reaper to the world. Right now it’s 12 episodes and each episode should play out to about 45 minutes to an hour long. So that’s another project I have ready to go. I wrote it some years ago so I might do some edits on it before it goes into production but it’s ready to go.
So that’s where I am with Infinite Axis Comix right now. Still developing comics. Right now there’s a third comic being drawn, a comic that is not Ten:01. It takes place in ancient Australia and focuses on the ancient aborigines from Australia. I have 6 or 7 pages drawn out with that project but it’s still in development also. But there’s a lot in development and a lot to look forward to coming from Infinite Axis Comix. I appreciate all those who took the time to read this and get to know where IAC started, what we’ve done and accomplished and what is still being done to get IAC out there to the people. Also shout out to anyone out there who has bought a comic, liked a picture on my instagram, left a comment, and has been interested in being a part of my movie and those who have supported me and what I’m doing in any form or fashion.
Last minute Shout outs. I want to shout out the Keep It 3 movement and everything that’s going on with that from the music by my homeboy Thr333, the clothes, and other companies associated with the brand. They have a moving company and a photography company all under Keep it 3. The photography company is more celebrity focused, which is led by Wesley Coleman. Wesley also got the moving company if you are in Atlanta and need your furniture moved look up Keep It 3 Moving Company. Shout out to my homeboy Fleetwood Fred and everything he’s accomplished over the last few years. He just came off his first paid tour this year which is dope. We also have been friends since 7th grade so it’s just dope to see him accomplish what he has cause he for sure has worked for it. Shout out to my little brother Joshua McCullar, he’s an assistant celebrity stylist. He’s been working with Kandi from Xscape these last few months under a Stylist who is his friend Dan though he’s been doing it for some years now. They also have worked with Fantasia, Kash Doll, Demi LaVato, Tamar Braxton and other celebs. So shout out to him. It’s dope to see my little brother in that world. And shout out to my wife, Antrice McCullar, who just gave birth to our first born daughter who isn’t even 3 months old as I do this interview. Shout out to her for delivering me that gift. And shout out to my Family, my mom; Paula McCullar, my dad; William McCullar, my other brothers Isaiah and Hakim McCullar. Love all y’all and let’s continue to do big things.
Can you talk to us a bit about the challenges and lessons you’ve learned along the way. Looking back would you say it’s been easy or smooth in retrospect?
It hasn’t been a smooth road, but I don’t think any path when building something from the ground up is going to be smooth or easy, especially when you lack the resources to build with or those resources aren’t as plentiful, and the vision is a multi-million-dollar vision. I’ve had to really find a way to just get things done at times, but I also recognize that I have been blessed throughout this process to even get it where it is today. Obstacles and challenges are just a part of life, and we all go through them in some form or fashion. When it comes to IAC the biggest obstacle is just producing the money to get it all done the way I envision it. Art isn’t cheap especially when you’re paying for good artwork. And once you get it done you need money to market, to print and etc. But the obstacles and challenges are just a part of my own personal growth and story and a part of the company’s growth and story. I find ways to produce what I need when I need it even if it takes time to do. I still have to pay bills and ensure the well-being of my family, so Infinite Axis is something I’ve been building while I make sure my wife is good and now making sure my daughter is good. Obstacles will always be a thing, but those obstacles will differ at different stages in life and just like the obstacles of the past I will overcome all obstacles of the future.
Appreciate you sharing that. What else should we know about what you do?
I’ve always known that creating movies and creating other mediums of storytelling has always been something that I wanted to do. I’ve been writing stories since the 3rd grade. Like I said before, coming out of High School I got a job at a movie theater. One because it put me closer to the movies and the idea of owning a movie theater was something that I wanted to do. Make movies and then show them at my movie theater. When I was living in Statesboro, going to school I secured a job at the only movie theater down there. I worked mostly as an usher and at the concession stand. While working there the owner would visit the theater to check on things from time to time. I remember one day when the opportunity was there I went and talked with her to get an idea of what it took to open a movie theater and how much it cost, she gave me some info and let me know that it costed her around 18 million to get it all done so I knew at that moment that opening a theater wouldn’t be easy or cheap but I still inspired to open one and still do to this day even though the movie theater business is not as lucrative as it once was. But if I did one it would be something different, an experience unlike any other theater. I worked at a few different theaters, from big theaters to small theaters and I appreciate my time working those jobs. It kept me in the energy of cinema. After I got fired from my last movie theater job in 2010 I went to doing other jobs to keep bills paid and try to get a head a little, but they were just jobs I was doing for a check. Fast Forward to 2016 I started working in the movie business helping make big budget movies come to life. Though originally, I said Baby Driver was my first gig because in a way it was my first full gig, I actually worked one day on Special Effects before that in January. It was on a show called Devious Maids. It was only one day so I never really counted it. About a month later I secured another job after making a bunch of phone calls. That job was for the movie Baby Driver, and I worked that for a few months up until the end. I then went back and worked with the same crew on a movie called Life of The Party with Melissa McCartney, right after that. Over the years as I worked on these sets, I’d take time when I could to make sure certain people recognized who I was. I’d start conversations with some of the actors, producers and directors and etc. because I knew and still know that I’m a be someone that they will know in a different light one day. On some movies some of those actors, directors and producers would speak to me first and I’d run with it in the moment. I haven’t quite been able to do what I want to in the industry, but I’ve been directly in the energy of movie making and I’ve been able to see what goes into filming movies from different levels. I’ve worked on movies and shows at the very beginning before they even had the show or movie fully casted. I’ve watched casting directors go through their process of who they wanted to cast for certain roles and why they wanted to cast them. I’ve heard and talked to directors who were at odd with producers and the production company to get things done the way they wanted. I’ve sat back at times and would watch them film scenes just to see that process in action. I’m proud that I’ve been able to work on so many movies and tv shows and that I’ve had the conversations I’ve had and gained the attention I’ve gained, sometimes just from my presence alone. As a kid who wanted to make movies and growing up to working on movie sets has been an accomplishment of its own and I’m proud of that. Here’s a few other movies and shows I’ve worked on: Rampage starring the Rock. Jumanji The Next Level which also starred the Rock and Kevin Hart, P-Valley, First Man, The Gifted, The Resident, Legacy, Doom Patrol, Chaos Walking, Raising Dion Season 2, BMF season 2 and a few others. I actually made credits on one or two of the shows mentioned. So I’m proud of all of that.
Alright so before we go can you talk to us a bit about how people can work with you, collaborate with you or support you?
If anyone wants to work together, collab, or be a part of the movement that is Infinite Axis then you can email me at infiniteaxiscomix@gmail.com or send me a message on Instagram to my page Infinite Axis Comix. I also have a Facebook page for the company but haven’t really put the time into that page the way I should, but I can be contacted there also. Even though IAC started off with comic books, we’re now venturing into film and other forms of media, so if interested in working, donating or investing, hit me up. It’s all appreciated.
Pricing:
- Ten:01 Issue: 0 is $10
- Ten:01 Issue: 1 is $20
- D.I.M. (Dead In Motion) A Graphic Novel Script is $9.99 as an Ebook on Amazon Prime.
Contact Info:
- Website: www.infiniteaxiscomix.com
- Instagram: Infinite_Axis_Comix
- Facebook: https://www.facebook.com/infiniteaxis
- Youtube: Subscribe @infiniteaxiscomix or Infinite Axis Comix
Image Credits
Shout out to Jamm Lewis for taking the pics with me and my Action Figures. Shoutout to Ariel Viola who did a lot of my illustrations.
