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Meet Ebony Blanding, Filmmaker, House of June in East Atlanta

Today we’d like to introduce you to Ebony Blanding.

So, before we jump into specific questions about the business, why don’t you give us some details about you and your story.
My mother was the first person to call me an artist. I think she called me this when I was about 7. I believed it and in little ways, I sought to each day to be “worthy” of the name.

Even then, it felt like an honor to be recognized by something I specifically did and loved.

So, even now, each day I work to remember, despite working to sustain myself outside of arts, that I’m an artist.

That my gifts are worthy.

We’re always bombarded by how great it is to pursue your passion, etc. – but we’ve spoken with enough people to know that it’s not always easy. Overall, would you say things have been easy for you?
It’s been “my road”.

I’m sure I’ve made unnecessary mistakes, but their mine. I have not broken because of them nor have quit because of them.

I’m learning. I’m applying what I’ve learned. That makes me really proud.

The biggest struggle has been to find ways to work with little to no budget for films that require a budget.

Filmmaking is not for the faint of heart nor broke, to be honest. But, here I am. Not fainting and claiming abundance.

So, as you know, we’re impressed with Filmmaker, House of June – tell our readers more, for example, what you’re most proud of as a company and what sets you apart from others.
I am concerned with writing and directing ensemble narratives and dimensional character studies. Cinematically navigating the human experience – centering black people in themes and crafting an ode to black existence and complexity.

A native of Atlanta, my work frames the city as muse and confronts traditional notions of representation, sexuality and power.

As one half of House of June (HOJ), an indie art film house based in Atlanta, my film partner and I, Amber L.N. Bournett, focus heavily on creating narratives that star women of color in leading and supporting roles.

Our films cinematically address a void of women and people of color living in fullness and vividly in a modern context. Using authorial cinematographic expressiveness to form more thoughtful characters and well-versed visuals.

I’m most proud of creating with another Black woman in film. It’s affirming and radical.

So, what’s next? Any big plans?
My goal is to transition fully into a working artist. I have a deadline. I have the audacity to think it can be.

Contact Info:


Image Credit:
Spencer Charles, Natey Nukez

Getting in touch: VoyageATL is built on recommendations from the community; it’s how we uncover hidden gems, so if you know someone who deserves recognition please let us know here.

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