Today we’d like to introduce you to Ellen Kierr Stein.
Every artist has a unique story. Can you briefly walk us through yours?
As a gung-ho Art History major in college, I reluctantly accepted my total ineptitude for studio art. “If I can’t draw even an apple,” I whimpered, “then how can I ever paint?” Fast forward 40 years: in 2006 I had an epiphany moment at the High Museum, standing in front of a Romare Bearden painting. I then started taking art classes from Chery Baird at the Spruill Arts Center. Chery’s extensive curriculum in the language and techniques of painting was cumulative, progressive, experimental, and emboldening. I ended up with lots (!) of art supplies, many artist friends…and the confidence to participate in exhibits and shows.
From 2008-2017, I was a member of the Artist’s Atelier of Atlanta, a co-op gallery in Buckhead. In addition to having my own studio space, I learned about curating and installing artwork in exhibits. The Atlanta visual arts community became my favorite network for volunteering and socializing. I enjoyed the process, not only of creating art but also of making connections between artists.
Please tell us about your art.
Non-objective painting is, to me, a process of transformation: changing a blank, two-dimensional surface into patterns of color, texture, shape, and line. The results are softly geometric compositions with multiple layers of information. The goal is purposeful – to generate rhythm within a framework of stability.
This process starts as an unscripted monologue and develops into a heavily edited essay. It involves not only the additive applications of mixed media and collage but also the reductive techniques of concealing and deleting.
I like squares and grids. But I’ve also learned to appreciate softened edges and unresolved areas.
I like organization and structure. But I’ve also learned to enjoy ambiguity and empty spaces.
I like process and purpose. But I’ve also learned to recognize that a painting is finished when – ta da! – it becomes quiet.
Do you have any advice for other artists? Any lessons you wished you learned earlier?
Be an active and supportive citizen in your arts community.
Join art organizations. Volunteer to help with their mission. Participate in their activities and group exhibits. Learn from the other members.
Visit commercial art galleries. Discover what you like. Introduce yourself to the owners. Ask what interests them and how they curate their collection.
Connect with other artists to counterbalance the quiet solitude of creating art. Be playful.
Trust your signature style. It is as unique, as personal, as expressive, as authentic, and as valid as your handwriting.
How or where can people see your work? How can people support your work?
My art studio is now in my home. There’s a benefit to being only a staircase away from the easel, rather than a 5-mile drive to rental space in a commercial area. But proximity can also be challenging: it requires a stubborn commitment to protect creative time at a location with oh-so-many other priorities.
My work is shown in educational exhibits, small retail galleries, and fund-raising events. Since the closing of the Artist’s Atelier Gallery & Studios a year ago (where I was both artist and president), I’ve joined several non-profit organizations as a way to stay active in the arts community. My primary involvement has been as a member of the Atlanta Collage Society.
Contact Info:
- Phone: 404-293-0193
- Email: ellen.k.stein@gmail.com
Getting in touch: VoyageATL is built on recommendations from the community; it’s how we uncover hidden gems, so if you know someone who deserves recognition please let us know here.
