Daily Inspiration: Meet Kevin B Ploth

Today we’d like to introduce you to Kevin B Ploth.

Hi Kevin B , we’d love for you to start by introducing yourself.
I grew up in a family that valued hard work, storytelling, and showing up for people, and that foundation shaped everything I’ve done since. My parents (Liz and Bruce still with us and a fifty six (56) year marriage) gave me the kind of support that lets a kid dream big, and by the time I was seven I was already performing, which is where I first understood that I loved being in front of an audience and building something that could move people.

From there, I kept leaning into the arts. I was lucky enough to have early experiences performing at WVW and later at UArts, and those moments really mattered because they showed me that this wasn’t just a childhood hobby — it was a calling. I was also already being recognized in local papers as a kid in theater, and that early validation gave me the confidence to keep going even when the path wasn’t obvious. Thanks in part to amazing teachers who saw in me a gift from Lee More, Paul Wagar, Susan Sulby, Nancy Contra, Chuck Conwell, Walter Dallas and Ciciley Berry of the RSC.

“No me without the we!” KBP

As I got older, I started expanding beyond performance into the larger world of storytelling. I became drawn to writing, directing, production, and visual design because I wanted to shape the whole experience, not just one part of it. That led me into theater, film, and eventually producing, where I found I could combine creative instinct with organization, leadership, and a real sense of purpose. The U.S. Army played a big part in that.

Over time, I built a career around original projects and character-driven work, including theatrical and film development through ARTIMIS Theatrical Productions LLC. With the priority on Veterans and First Responders.
I’ve worked across shorts, branded content, pitches, and larger narrative projects like The Giant and Shadow Docket, always trying to create work that feels cinematic, emotionally grounded, and commercially alive.

A lot of my work has also been about persistence — fundraising, refining the material, collaborating with talented people, and keeping the vision moving forward no matter how long it takes. From a great team and supportive sponsors the likes of Vanessa Thorpe, MJB, Brilliant Management, Wendy Woods, Lawrence Gress, Ed Trucco, Kelley Poling, Patriot Tactical, MSH, PROPPER Uniforms, Penman Hats, Everyday Armor, Jd Wesly, Rich Hall, LUIGINO’S, Eddy & Chris Rich……..my family Julie, RJ, Indio and Savannah.

What drives me now is the same thing that drove me as a kid: the belief that stories can entertain, challenge, and connect people. I’m still building on that foundation, but now I’m doing it with decades of experience, a stronger artistic voice, and a deeper understanding of how to turn an idea into something real.

I’m sure it wasn’t obstacle-free, but would you say the journey has been fairly smooth so far?
No such things as “a smooth road..” that is not life and not a reality I except.
No, it definitely was not a smooth road. I’ve had to navigate real setbacks and painful experiences, including time around an ostrich farm, the reality of Rikers Island, the weight of abortion, to the natural loss of children via miscarries (that was even worse on my partner who not only physically endured that twice), and living with severe dyslexia.

Those experiences forced me to mature early and taught me how fragile life can be, but they also gave me grit. Severe dyslexia made school and communication harder than they should have been, and I had to find ways to keep learning and pushing forward in spite of that.

The emotional losses and difficult environments along the way shaped my perspective deeply, and in a strange way they also strengthened my commitment to telling human stories with honesty, empathy, and resilience.

Thanks – so what else should our readers know about your work and what you’re currently focused on?
I’m a filmmaker, writer, producer, and creative director, and I specialize in building original, character-driven stories across film, theater, and branded content. I’m best known for developing projects like The Giant and for creating work that blends strong visual storytelling with emotional depth, commercial instinct, and a clear production strategy.
What I’m most proud of is the range of the work and the way I’ve kept pushing it forward. I’ve written and produced short films, theatrical material, pitch decks, and investor-facing materials, and I’ve built a reputation for being hands-on from concept through execution. I’m also proud that I don’t just think creatively — I think practically, which helps me turn ideas into real projects that can actually get made.
What sets me apart is that I come at storytelling from a very grounded place. I’ve had to overcome real challenges, so I care about stories that feel lived-in, truthful, and meaningful. I also prioritize veterans, first responders, and their families because I have a deep respect for service and sacrifice, and I want my work to reflect that respect in a real way, not just as a talking point.
At the center of everything I do is a commitment to people — the collaborators, performers, crews, and communities that make the work possible. Whether I’m developing a script, shaping a pitch, or building a production, I’m always trying to create something that has both artistic value and human value.

What do you like best about our city? What do you like least?
What I like best about Cumming and ATL is the sense of growth and possibility. There’s space here—physically and creatively—that you just don’t find in older cities. In places like Cumming and Atlanta, you feel a forward momentum: strong community ties, room to build, and an openness to new ideas and industries. There’s also a balance between quality of life and ambition that’s becoming harder to find elsewhere.
What I like least—coming from New York, where I was born and raised—is seeing how cities can lose their identity if growth isn’t handled carefully. New York, in my opinion, has drifted from the foundation that made it great. My family was part of many generations that helped build it, and there was a real pride, structure, and functionality to the city. Now, between political mismanagement and strained infrastructure, it feels like that identity is being chipped away. So when I look at a city like Cumming and Atlanta, I see the opportunity to grow without losing what makes it authentic—and that’s something worth protecting.

Contact Info:

• Website: https://www.artimis.biz
• Instagram: https://www.instagram.com/artimistheatricalproductions and  https://www.instagram.com/thegianttvshow/profilecard/
• LinkedIn: https://www.linkedin.com/in/artimis-theatrical-productions-llc-llc-7a7b24306
• IMDb: http://www.imdb.me/KevinBPloth
• Other: https://filmfreeway.com/KevinBPloth