Connect
To Top

Check Out Lindsay Belnick’s Story

Today we’d like to introduce you to Lindsay Belnick.

Hi Lindsay, we’re thrilled to have a chance to learn your story today. So, before we get into specifics, maybe you can briefly walk us through how you got to where you are today?
I was born and raised in Atlanta, grew up in Dunwoody, and now live in Brookhaven with my husband, our two kids, and our two dogs. My path here was not exactly traditional. I started college at Tulane in business school, but after being diagnosed with thyroid cancer at 19, my perspective on life and my future shifted dramatically. During recovery, I returned to Atlanta, attended Emory and Oglethorpe, and eventually completed my degree at the Art Institute of Atlanta in Fashion Marketing and Management.

Art had always been part of my life. My mom, who also attended the Art Institute, created an art space in our playroom when I was growing up, and that early exposure gave me a lasting love of creativity. In school, I explored a range of creative mediums and artistic styles, though I still consider myself largely self taught.

After college, I worked in fashion in high end retail and styling roles, and I was always drawn to the creative vision behind a collection, the way color, texture, and storytelling could make something feel personal and special. But it was not until I became a special needs art teacher that I really began experimenting seriously with different materials, mixed media techniques, and creative adaptations. That role pushed me to think differently, not just about art, but about expression, individuality, and connection. Now, I spend my days teaching art to special needs students, and at night, once my kids are asleep, I return to creating my own work.

As I started creating more of my own work, people began asking if I sold it. At first I laughed it off, but a friend encouraged me to build a website and start sharing my work more broadly. That leap ended up changing everything. What started as creative experimentation gradually grew into a business

Today, my work is rooted in texture, meaning, and storytelling. I intentionally create pieces that feel personal, imperfect, and relatable. My sculptural heart blocks are meant to add depth and meaning to a space or to be given as a heartfelt gift, while my prints are personality pieces designed to be honest, expressive, and to say it like it is.

Looking back, my journey has really been about learning to embrace the unexpected. Life has not followed a perfectly linear path, but every chapter, from health challenges to motherhood, teaching, and building a business, has shaped the artist I am today.

Alright, so let’s dig a little deeper into the story – has it been an easy path overall and if not, what were the challenges you’ve had to overcome?
No, it has definitely not been a smooth road. From a young age, I was someone who had to work extra hard for things that seemed to come more naturally to others. I have learning differences that made certain things slower and more challenging for me, but in many ways that is where I developed my work ethic, persistence, and determination. I learned early on how to keep showing up, even when something did not come easily, and that mindset still shapes how I approach both my life and my work.

That resilience was tested even more when I was diagnosed with thyroid cancer at 19. What made that chapter especially difficult was that it was not as straightforward as I was told it would be. The physical challenges were hard, but what stayed with me most was the emotional side of realizing that while my world had stopped, everything around me kept moving. I tried to jump back into life and pick up where I had left off, but I eventually had to accept that I needed to pause, heal, and start over. In many ways, that experience changed not only my path, but also the way I create. It taught me to let go of the idea that life, or art, has to be perfectly controlled to be meaningful.

That turning point ultimately led me to the Art Institute, then into fashion, and eventually into special needs education, where I found a much deeper sense of purpose. Today, my students inspire me constantly through the obstacles they overcome and the individuality they bring to everything they do. I later faced another major health challenge that required months of chemotherapy during a time when I was longing to become a mother, which was another deeply painful chapter. Experiences like those changed me, but they also gave my work more depth, honesty, humor, and emotional truth.

My path has been marked by unexpected detours, setbacks, and having to begin again more than once. But I think those experiences are also what shaped me as a person, an artist, and a mother. They taught me resilience, perspective, and how to embrace life as it is rather than how I expected it to be. That is a big part of why I create the way I do now. I am drawn to work that feels personal, imperfect, textured, and real, because I think the most meaningful art often comes from learning how to find beauty and connection in the unexpected, the imperfect, and the chaos.

Alright, so let’s switch gears a bit and talk business. What should we know about your work?
I am best known for my sculptural heart blocks, or Textured Love Blocks, which have become my signature collectible. Each one begins as a solid wood block, including some made from repurposed wood, and is built up by hand with dimensional texture, then painted in Farrow & Ball designer paints and finished individually. No two blocks are ever exactly the same, which is a big part of what makes them so special. Each one is truly handcrafted with love, which is something I even say on the back of every piece. They are designed to feel timeless and elevated while still carrying warmth and personality.

What makes them especially unique is that they sit somewhere between fine art, sculpture, object, and keepsake. They are meant to add depth and beauty to a space, but they also hold meaning. People collect them to mark love, connection, healing, celebration, and the moments or feelings they want reflected in their homes. They can live as part of a styled space, be given as a meaningful gift, or be collected over time in a way that feels personal.

In addition to my heart blocks, I also create what I call Personality Pieces. Many of these grew out of my visual journal. They are archival art prints and mixed media works that combine paper, ink, and paint in expressive compositions that feel relatable, playful, and honest. They are meant to portray ideas and feelings in a way that feels direct, human, and emotionally true.

I also create custom work, which is a meaningful part of my practice. Many of those pieces are rooted in Jewish spirituality and inspiration, allowing me to create art that feels deeply personal and significant for the people who commission it.

What I am most proud of is that I have built a body of work that feels distinct and recognizable, while still being deeply personal and handmade. I am proud that my art has grown from a personal creative practice into something people connect with, collect, gift, and bring into their homes in meaningful ways. I am also proud that I have built this work while balancing motherhood, teaching, and all the other moving parts of life.

What sets me apart is the combination of texture, material, and emotional point of view in my work. My heart blocks are sculptural, hand built, and painted with a very intentional palette, which gives them a look and feel that is both elevated and personal. No two pieces are exactly the same, and that uniqueness is important to me. Across both my blocks and my Personality Pieces, I create work that is meant to feel honest, relatable, and full of character.

What were you like growing up?
Growing up, I was shy, awkward, and definitely more of a tomboy. I was also very driven from an early age. I have always been hardworking, type A, and someone who set high standards, goals, and expectations for myself, despite things not coming easily.

A lot of my interests growing up were centered around sports and being active. I was much more likely to be on a field or a court than doing anything overly polished or traditionally girly. At the same time, I always loved creating things. Even as a kid, I was drawn to making something out of nothing. One of my earliest memories is making marble paintings with my friends and, instead of having a lemonade stand, setting up a table at the bottom of the driveway to try to sell our artwork. I also used to knit scarves and take orders from my friends who wanted one made for them. Looking back, that entrepreneurial mindset was always there. I loved the creative side of making something, but I also loved the idea of sharing it, selling it, and turning an idea into something real.

I also tended to relate to boys more easily when I was younger, and many of my closest friendships over the years have been with guys. I think part of that was because I was never especially polished or performative. I felt more comfortable being playful and direct, and I often felt more at ease in that kind of dynamic.

For a lot of my childhood, I was also very much the rule follower and ideal student type. I liked structure, I wanted to do well, and I cared a lot about meeting expectations. That said, according to past nannies, I may have also been a little more mischievous than I realized. Apparently, I was sometimes the mastermind behind certain ideas and had my brother carry them out, which still makes me laugh because it feels surprisingly on brand.

Looking back, I think I was always a mix of shy and driven, creative and athletic, sensitive and strong willed. A lot about me has evolved, but those core parts have stayed the same.

Contact Info:

Image Credits
Block photo (Heidi Harris photogrpahy)
Me in studio (mood and theory)

Suggest a Story: VoyageATL is built on recommendations from the community; it’s how we uncover hidden gems, so if you or someone you know deserves recognition please let us know here.

Leave a Reply

Your email address will not be published. Required fields are marked *

More in Local Stories