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Daily Inspiration: Meet Hannah Hill

Today we’d like to introduce you to Hannah Hill.

Hi Hannah, so excited to have you with us today. What can you tell us about your story?
I began painting before I could walk; my father is a painter, and I was always given free range with art supplies in the garage, my father’s studio. Though I was deeply engaged with art, I never considered it a serious pursuit; my first love was acting, and I spent much of my time on stage. It wasn’t until my junior year of high school that I began to shift my focus, and I traded the spotlight for a paintbrush. What I enjoy the most about creating a series of works is trying to convey an answer to different questions I ask myself. Each series allows me to explore different themes and concepts, pushing me to think deeply about the human experience. Currently, I am studying at the Florence Academy of Art in Florence, Italy. The schools intensive study is helping me become a better artist.

Can you talk to us a bit about the challenges and lessons you’ve learned along the way. Looking back would you say it’s been easy or smooth in retrospect?
Most of my challenges come from my personal life. I’ve struggled with mental health issues throughout my life, but in all honestly, what artist hasn’t. My personal struggles have influenced many of my artworks, so in a way, they help to contribute to my work. I would not be where I am or who I am without them.

As you know, we’re big fans of you and your work. For our readers who might not be as familiar what can you tell them about what you do?
My first series focused on mental illness and how to convey the feelings and struggles involved. My second series explored the theme of censorship in fairy tales, painting scenes from the original, unfiltered Grimm’s stories. Most recently, I was working on a concept I had been contemplating for the past three years, “The Iconostasis of the Deconstruction of Purity Culture.” This body of work represents the culmination of everything I love about painting. By integrating both figurative work and portraiture in a traditional style, I have found a way to express my artistic vision that feels both true to myself and deeply fulfilling. Creating a series in this way—using the formal structure of traditional painting while exploring modern concepts—has been an exciting journey, and I look forward to continuing to push my artistic boundaries.

What’s next?
I am still unsure what my next steps will be. For right now I am trying to stay in the present, focusing on my studies at The Florence Academy of Art. I am currently in my first year of the three year program. I am hopeful that finishing this academy will open many doors for my future as an artist.

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